2008 Xxlrecent Largescale Paintings Hudson Valley Center for Contemporary Art
Electric current EXHIBITIONS | PAST EXHIBITIONS
Past Exhibitions
February quaternary, 2022 through July 29th, 2018
Between I & Thou
Opening reception: Saturday, Feb four, 2017, 2 – 7 PM
Click here for the complete catalog of Between I and Thou!
"Between I & Thou" includes artists from many different areas of the globe, exploring
interconnections between the personal, cultural, religious and national. The works reverberate the human being need to tell the story of cocky and society, offering a rich conversation about the sameness and differentness among u.s.a.. There is an emphasis on the inclusion of senior artists whose works cogently reverberate lives lived across pregnant changes in history.'Between I & G' celebrates variety.
Discussing this, Livia Straus, HVCCA Director, said,
"Faith Ringgold is arguably one of the most renowned African American living artists. Her work in quilts, drawings and book form speak to social justice as well as the stories and memories of her own childhood . Judith Zabar works through free clan, her painting/drawings often beginning with doodled thoughts washed at odd times, mining her hidden. Other artists' works overlay personal with cultural cues, like Aminah Robinson who interweaves memory laden buttons and fabrics from discarded, overused article of clothing, embroidering her assemblages with words referencing her spiritual journeying as she treads the fourth dimension worn stones of Jerusalem. An artist like Leonardo Drew draws on the materials that surroundings united states as well as comfort us, such as cotton wool batting from mattresses now disposed of, but when recycled into art conduct the stuff of our dreams."
In this exhibit, i is confronted by Asya Reznikov's piece of work; the artist hand-expressing breast milk into crystal goblets, and mechanically expressingmilk in her version ofManet's A Bar at the Folies-Bergère. She is both artist and mother, creating and nurturing in life and art. Peter Bynum'southward full room installation,Illumination of the Sacred Forms: Divine Calorie-free Mission & Sanctuary,brings us into the biological structure of oneness. Betwixt I and Thouis an exhibition seeking to touch upon thursdayat oneness, the common hopes, needs and dreams that must take u.s.a., as human beings, to that which leads us to a more caring and peaceful existence, one in which nosotros run across the Between I & Thou.
Featured artists:
• Cristina Alvarez-Arnold• Laura Battle• Peter Bynum• Orly Cogan• Leonardo Drew• Camille Eskell• Kristján Gudmundsson• Erika Harrsch• Meg Hitchcock• Chris Jones• Barbara Korman• Cal Lane• Katherine Mangiardi• Todd Murphy• Brigitte Nahon• Susan Obrant• Jong Oh• Margaret Loy Pula• Liz Quisgard• Raquel Rabinovich• Asya Reznikov• Religion Ringgold• Aminah Robinson (Aminah Brenda Lynn Robinson)• Antonio Santin• Yardena Donig Youner• Jayoung Yoon• Judith Zabar•
Press Release PDF
February fourth, 2022 through July 29th, 2018
Peter Bynum: Illumination of the Sacred Forms: Divine Lite Mission & Sanctuary
Opening reception: Sabbatum, February iv, 2017, two – 7 PM
Photo past David Limburg
The Hudson Valley Heart for Gimmicky Art presents Peter Bynum'south"Illumination of the Sacred Forms,"a multi-media installation of illuminated paintings.
Livia Straus, Director of HVCCA, says "Peter Bynum'southward ethereal, lite-infused paintings bring us into an intimate human relationship with the biological construction of our oneness. Working at the intersection of art and scientific discipline, he has invented a technique for illuminating paint's innate ability to express the forms and rhythms of the living universe. Floating on multiple layers of glass, biomorphic forms spread, pool, and flow. We are visually pond in the pigment and the light. This 'secret life' of paint is evocative of trees and roots, capillaries and synapses — the purposeful fluidity of life on the planet."
Black velvet drapes at the entrance signal the immersive spiritual feel to come. Upon entering, sacred music creates an ecology soundscape. The room glows with six paintings full of cosmic energy and ecstatic beauty, advancing our contemplation of the divine equally well equally the human threat to the biosphere.
A split curtained booth allows visitors to sit and lookout video projections of paint in activeness, showing its behavior nether pressure as information technology flows and branches, a psychedelic experience of life forming and flowing before our optics. In another booth, viewers can sit in privacy to contemplate the painting "Betwixt us, here, now," a work that invites u.s.a. to explore our relation with the Other, whether human or divine.
The installation is in conjunction with the museum's principal exhibition, "Between I and Thou."
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June 10th through July 29th, 2018
Orly Cogan:Summertime Lovin'
Opening reception & Console Discussion: Sunday, June 10, 2018, two – 7 PM
The Hudson Valley Centre for Contemporary Art (HVCCA) in Peekskill NY welcomes piece of work from a leader in the current fiber arts motion, artist Orly Cogan, for her solo exhibition Summer Lovin'. The exhibit will run from June 10th to July 31 an opening reception at the museum on Sunday, June 10th from 4 -seven p.one thousand. preceded by the creative person panel, "Habitation: A Country of Mind," featuring Orly Cogan, Susan Obrant, Jayoung Yoon, and Erika Harrsch with a special reading by Sharon Samuel and Celia Reissig-vasile.
Cogan reinvigorates vintage materials including tablecloths and baby linen through embroidery, crochet, and pigment to create unabashed depictions of her feel equally a xx-first century woman.
HVCCA Co-Founder and Manager Livia Straus says Cogan'due south pieces "bring back memories of visiting grandparents' homes, women creating trousseaus for their marital life, only upon investigating, the imagery is raw, feminist, and family-based—domestication stripped of second- pare wear."
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May 30th through July 29th, 2018
A Gesture: A Sign, Educatee Exhibition
Opening reception: Wednesday, May 30, 2018, 6 – 8 PM
HVCCA is proud to present the Pupil Exhibition in conjunction with Peekskill High Schoolhouse'due south tertiary Annual Young Docent upshot on Wednesday, May 30th from half dozen – 8 p.m!
The public joined Peekskill High School students at @ HVCCA to learn nearly the fine art on display in Between I & Thousand with free educatee-led twilight tours. Students from Peekskill High School & Elevation Academy showcase original work in the upstairs gallery of the museum, including the artworks created during the creative person residencies in their schools over the last twelvemonth (featuring Cey Adams, Magali Duzant, Susan Morelock, and Kelsey Hunt Folsom and more).
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April 14th through June third, 2018
Cey Adams: Popular Revolution
Opening reception: Saturday, April 14, 2018, v – vii PM
Cey Adams, celebrated fine creative person and legendary art director of Def Jam Records, brings his evocative and political collage works to the Hudson Valley Center for Contemporary Fine art in a solo exhibition, "Popular Revolution." By shaping contemporary images within known brand logos, Adams layers meanings onto his work, inviting the viewer to examine their ain relationship to these iconic brands that accept shaped our culture."I've always had a fascination with Popular Art and brand identity. My recent paintings invite the viewer to re-examine familiar symbols of traditional American values, hopefully sparking dialogue that leads to communication and a ameliorate understanding of who nosotros are." says Adams.
Press Release
March 4th through May 15th, 2018
Haemorrhage Edge
Opening reception: Sat, March 24, 2018, half dozen:30 – ix PM
Participating Artists:
Anthony Antonellis, Kelsey Brod, Izabela Gola, Faith Kingdom of the netherlands, Eleanor King, Amanda Turner Pohan, Livia Ungur, and Sherng-Lee Huang
In collaboration with Peekskill's Fine art Industry Media initiative, the Hudson Valley Center for Contemporary Fine art proudly presented Bleeding Border , an exhibition of artists working in greater New York pushing boundaries in new media. Bleeding Edge investigated human-technological entanglements specifically how global networks have affected the ways in which we express intimacy, identity, and history, focusing on moments where technology fails to go along upward with the complexities of the lived homo experience. Using metaphor as well every bit formal means, these 8 artists appropriate, subvert, and exploit the nuances of consumer technology, recognizing the tenuous line between emancipatory cyber-utopia and omnipresent corporate surveillance every bit a necessary site for artistic intervention and play. Bleeding Border takes its championship from an industry term referring to technology so innovative it comes with incredible take a chance and an alarmingly high rate of failure.
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January 28th through March 18th, 2018
Leslie Pelino: Heaven, World, and In-Betwixt: Gathering the Threads
HVCCA is proud to present a solo installation by fiber artist Leslie Pelino. Working with salvaged materials- loose thread, ribbon, chaplet, buttons, flamboyant fabrics of silk, wool and chenille, plastic tubing and metal, Pelino creates a globe steeped in retentiveness and nostalgia. Pelino's installation, in its spirit, its complexity and its connections between elements that defy relationality, speaks to the spirit of the overarching exhibition 'Between I & Grand'. Based on the thesis of the neat 20th century philosopher Martin Buber, and drawing on Kabalistic behavior in the future restoration of a world united and at peace, 'Betwixt I & K' incorporates interchanging solo presentations that speak to this promise for the future.
Pelino'due south installation is one of these individual statements/installations, designed to instigate poesy, discussion, thought, dialogue and functioning as she weaves a new, whimsical and perfect world where disparate elements alive together to create something new, something harmonious: beauty with a twist of the grim, humorous while emphatic, playful yet grounded, soulful while dour, frenetic notwithstanding narrative rich and awesomely silent.
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October 15th through December 17th, 2017
Women Warriors
Opening reception: Lord's day, Oct 15, 2017, 5 – 7 PM
The Hudson Valley Center for Contemporary Art (HVCCA) opened, "Women Warriors," on October 15th at 5pm.
"Women Warriors" honored the 100th ceremony of women's suffrage in America, also equally the continuing fight for equal rights in the public sphere. A voting booth was created past artist Isis Kenney in conjunction with ArtsWestchester'due south "Give Usa The Vote" exhibition. Kenney is creating 4 large panels depicting "women warriors" such every bit Susan B. Anthony, Sojourner Truth, and Adelina Otero-Warren every bit comic book superheroes fighting for the common crusade of human rights. The work of Cey Adams, celebrated muralist, designer, and artist will too be on display with his civilization-laden American flags. Both Kenney and Adams utilize the visual language of Hip-Hop in their work to create bold, colloquial images that speak to the essence of what it is to be an American citizen and warrior.
An open up mic was made available for people to speak about women's rights, student rights, and the rights of children!
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June 4th through September 30th, 2017
Spring Creative person in Residence, Jinsu Han:"Liquid Memory"
Opening reception: Sunday, June iv, 2017, 5 – 7 PM
TheHudson Valley Center for Contemporary Art is excited to announce ii site- specific installations,Liquid Memory, past Korean artist Jinsu Han that directly involve the Peekskill community and the Manitou Schoolhouse in Common cold Jump, NY. Both iterations speak to the nature of retentivity.
For the construction of the installations, Jinsu is request members of the customs to bring in bowls or containers that have a family retention or storyattached and lend them to Jinsu for the installation, which will honor our collective memories. Robotic elements will create a gentle move.
Metaphorically, the objects, water, and the repetitive movement of the robotics connect the idea of how gradual alter alters memory and how objects and story relate to the persistence of retentivity.
Jinsu Han has been making robotic sculptures for over twenty years. His work uses different materials varying from custom-made parts to found objects. The sculptures evoke poetic nostalgia, 'offerings to memory.' Customs retentivity containers will be returned after the exhibition, with however another story attached.
Jinsu Han (b. 1971) is a multimedia artist from Seoul, Korea. He received his BFA and MFA from Hongik University, Seoul, Korea and earned another MFA in sculpture and an Edward 50. Ryerson Fellowship at The School of the Fine art Institute of Chicago in 2007. Recent exhibitions include a solo exhibition"Fantasy Factor" (Force Gallery, Beijing. People's republic of china) in 2022 and a group show "The Apotheosis of The Ex-Fish Marketplace" in New York, 2016.
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May 13th through September 30th, 2017
"Selknam: Spirit, Ceremony, Selves"
The Selknam, an extinct aborigine tribe of Tierra del Fuego, is the inspiration for Elisa Pritzker's installation at the HVCCA. Over 10 years ago when Pritzker visited Patagonia, she felt an urgency to discover the people who had lived in Tierra del Fuego "before all the tourists came, speaking all different languages, from many cultures," except for that of the Selknam, whose voices were gone.
Pritzker has created an installation that honors the tribe, gathered into reservations in the 1940's and eradicated by diseases and cultures not their own. She began an in-depth study of the Selknam Tribe, using source materials from anthropologists and photographers, amongst them Anne Chapman. In the 1950'southward and 1960'due south Chapman documented the Selknam's unique culture and recorded their language and chants. Chapman was cured of a life threatening disquiet by Lola Kiepkja, the last Selknam shaman alive. Subsequently intensive enquiry, Pritzker realized how much the ancient cultures and traditions had to teach and her solo show at HVCCA brings the viewer – stone by stone – into the Selknam realm.
Elisa Pritzker, born in Argentina, now lives in upstate New York. Her work has appeared in exhibitions and museums worldwide. Brian K. Mahoney, Chronogram Magazine editor, said, Pritzker "… has helped to shape the evolution of the regional arts scene." Certainly, Pritzker'southward piece of work, installations and objects, has reshaped how we think near civilisation, ancient, urban, natural or spiritual. Looking afresh at the sometime, Elisa Pritzker's installation at the HVCCA, provides a gimmicky creative person'due south view of an ancient world.
An original performance piece, which uses Elisa Pritzker's vision, integrates music, trip the light fantastic toe, and narration, giving the Selknam voice through the perspectives of three women, a female shaman, an ethnographer, and a mythological moon adult female. The functioning is at 5PM, Saturday, May 13th as role of the opening reception of Pritzker's bear witness. Functioning collaborators are Marcy B. Freedman, fine art historian and functioning artist; musicians/composers Nannette Garcia, Maurice Minichino; and dancers Marsi Burns and Nomi Bachar.
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Apr 1st through September 30th, 2017
Spring Artist In Residence, Marker Berghash
Opening reception April 23rd, 2022 from 5 to 7 pm
"I'S CLOSED I'S Open, Aspects of the Truthful Self"
I's Closed, I'south Opened: The Inner Self is a series of head and shoulder photographic diptychs, each one accompanied past a Haiku-similar poem. In creating each portrait the subjects are requested to call up about their inner life. The first paradigm is with eyes closed, the second image with optics open. After the photo session the discipline wrote downwardly his or her thoughts and feelings. From these, Berghash and his married woman Rachel, a poet, composed a Haiku-like poem for each subject area. Berghash's intention in making these portraits is to record aspects of a person'due south true inner cocky.
In an article for Art F City in 2016, Rom Vaughan said, "Whether Berghash succeeds in truthfully plumbing his subjects' minds is known for certain just by them; simply at that place is no doubt that he strikes to the cadre of the precept that photography is significantly related to memory.
Livia Straus, Director of HVCCA spoke of Berghash's work saying, "His combination of words and images create a powerful confessional mode that both reveals and hides." Amid other institutions, Berghash's piece of work is included in collections of and has been exhibited at The California Museum of Photography, Riverside; Dayton Art Constitute, Dayton, Ohio; Franklin Furnace Archive, NYC; International Centre of Photography, NYC; International Polaroid Drove; the Jewish Museum; NYC; Metropolitan Museum of Fine art, NYC; MOMA NYC; Museum on the Seam, Jerusalem, Israel; and Hudson Valley Center for Gimmicky Fine art.
Equally part of his exhibition at HVCCA Mark Berghash photographed subjects, especially from the Peekskill customs, on Apr 1st – 2nd, 2017. Photographs taken will exist included with the exhibition of I's Closed, I'due south Open .
In parallel with the opening of I's Closed, I's Open , HVCCA is proud to premier Donna Barkman's play, Viewfinder , based on the automobile-biographical dioramas of Emma Rivers. Click Hither for more information about Donna Barkman'southward play.
*Photograph courtesy of the artist
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February 4th through April 26th
Winter 2022 Artist-in-Residence Remy Jungerman
Opening reception February fourth, 2022 from five to vii pm.
Remy Jungerman's work was featured in numerous publications and has been acquired past various institutions and private collectors worldwide including: Stedelijk Museum Amsterdam; Gemeente Museum, The Hague, Museum Het Domein Sittard; Zeeuws Museum Middelburg; NAI Rotterdam; Chips Museum Leeuwarden; Africa Museum Berg en Dal; Museum for Modern Fine art, Arnhem; Rennies Collection, Vancouver; Art Omi Collection, NY; and The Francis J. Greenburger Collection, NY. He attended the University for Higher Arts and Cultural Studies, Paramaribo (Suriname), earlier moving to Amsterdam where he studied at the Gerrit Rietveld Academy.Remy Jungerman, a Netherlands based multi-media artist, is the Winter 2022 artist in residence at HVCCA. Born 1959 in the small Maroon community of Moengo in Surinam, on the northern Atlantic coast of Due south America, Jungerman has, for the last ii and a half decades, fabricated his home in kingdom of the netherlands. His work is an intersection betwixt the African cloth designs of Surinam and Dutch artists of the De Stijl movement, including Mondrian. Afro-Surinamese spirituality, or Winti, is his ascendant theme.
Jungerman attended the Academy for Higher Arts and Cultural Studies, Paramaribo (Suriname), before moving to Amsterdam where he studied at the Gerrit Rietveld Academy. With his fine art, Remy tries to connect continents, weaving Surinamese traditional rituals textiles with the geometrical lines of Modernism.
The installation is in conjunction with the museum's main exhibition, "Between I and Thousand."
This exhibition and residency is sponsored, in part, by NEA, the Dutch Consulate, Mondriaan Fund, and the Netherland-America Foundation.
February quaternary through March 2017
Student Exhibit/Teaching Artist Residency
Teaching Artist-in-Residence, Kristianne Molina
Opening reception February 4th, 2022 from 4 to 5 pm.
Hudson Valley Center for Gimmicky Fine art (HVCCA) and the Peekskill City School Commune is pleased to invite you to the opening of Loftier School students' artwork in the upcoming exhibition Between I and Thou on February quaternary from 4-five p.m. at HVCCA.
Artist Kristianne Molina collaborated with over 100 Peekskill High School students during a 10 day intensive with HVCCA's Teaching Creative person Residency. Students explored painting and dyeing techniques primarily with cochineal combined with 
February 27 – December 17, 2016
"Untitled" by Yunizar
Give-and-take: Words in Art, Art in Word
'Word' was HVCCA's first open call juried exhibition purposed to highlight talented regional artists who prominently feature 'a word' or 'words' in their artistic productions. Some 140+ artists applied and 75 artists were selected. These newer and lesser known works sat side by side with works of artists such as Beatrice Coron, Dylan Graham (Netherlands), Ann Hamilton (US 1999 Venice Biennale creative person), John Mellencamp, Jeffrey Gibson, Laura Kimpton (SLS Miami, Called-for Human being, California) and Robert Indiana.
Click hither for the complete itemize of WORD!
June 9th – Baronial 22nd, 2016
Steve Hernandez speaks with Jay Behrke about his work in the Educatee Exhibit
The Pupil Exhibition included works completed past Peekskill High Schoolhouse students who worked with our in-schoolhouse Artists-in-Residence as well as works by students from our Immature Docents Programme and other students. Word creative person Lance Johnson spent several weeks working with students at Peekskill
High School, resulting in 4 large panel pieces that are now permanently installed at the high schoolhouse. Artworks on display included those four panels, the completed "Esperanza" mural from Live Fine art Fest 2016, a short moving-picture show of Michael Feigenbaum'southward residency at Elevation University, and more. Plus, visitors could hear the voices of the Hudson Valley youth who participated in The "I'm Tired" Projection from Yonkers, Newburgh, Beacon, Peekskill and Mount Vernon.
Click here for the complete catalog of the Pupil Exhibit!
Y'all can also click Here for the short video on brandish in the Student Exhibit of Michael Feigenbaum'south residency at Acme Academy!
May 13th – June fifth, 2016
Visions from the Within Opens May 15th!
Visions From the Inside was displayed every bit role of the Give-and-take exhibit, and is an illustration project to highlight the personal costs of detention and the resiliency of the human spirit of migrants. The project is based on letters written by detained women and children at the for-turn a profit detention center in Karnes County, Texas that illuminate their courage through their ain words. This project was a collaboration betwixt CultureStrike and the migrant-rights advocacy groups Mariposas Sin Fronteras and End Family Detention. These visual fine art interpretations were deputed by CultureStrike and created past a diverse lineup of 15 visual artists from across the U.S. The painful messages describe the journeys of migrant detainee mothers and their children, as well as the conditions they experience while in immigration custody. In the last couple of years Central American migrants, including many unaccompanied minors, have sought refuge in the U.s.. Those who survive the dangerous trek from Central America through United mexican states are ofttimes apprehended by U.S. Border Patrol and placed in detention, with petty or no legal counsel, while they wait to meet whether they will be immune to stay in the U.s. with their families. Unfortunately for many, this journey ends in deportation back to the country from which they were escaping. We need a earth without borders and detention centers! In the meantime, artists and migrants beyond the globe will continue to imagine the possibilities through culture and action. Check out this video, which was filmed in Oakland as function of the project!
CultureStrike is a national organization that empowers artists and social justice movements to dream large, disrupt the status quo, and envision a truly just globe rooted in shared humanity through art. We believe cultural work is key to creating systemic change.
End Family Detention is a digital library composed by a network of families, volunteers, pro bono lawyers, social justice organizers, and digital activists dedicated to raising awareness and promoting action to cease family unit detention.
Mariposas Sin Fronteras is a Tucson, AZ based group that seeks to cease the systemic violence and corruption of LGBTQ people held in prison and immigration detention.
Feb 27th – May 1st, 2016
The "I'm Tired Project" by Paula Akpan and Harriet Evans, Photograph by Robert Olsson
I'm Tired Project by British artists Paula Akpan and Harriet Evans was displayed every bit part of the WORD exhibit, highlighting the lasting impact of everyday micro-aggressions, assumptions & stereotypes. Performance is fused with written word equally each of the participants formulate statements completing the phrase 'I'chiliad tired of…" The argument can address admittedly any kind of discrimination that the individual has personally experienced or feels passionate about. The creative person duo then transcribe the private'southward text onto his/her bare back, excising the tension through this very physical act. Photography documents the terminal product, serving every bit a personal and communal diary of purification and absolution.
September 27, 2015 – December 31, 2015
Peekskill Project 6
May 2022 – December 6, 2015
Writing the Walls
February 14, 2022 – Dec 6, 2015
Love: The Get-go of the Seven Virtues
April 19, 2022 – July 26, 2015
The Seven Deadly Sins: Lust
Oct 27, 2013 – December 7, 2014
Art at the Cadre: The Intersection of Visual Art, Performance & Technology
Oct 12 – December 7, 2014
The Women's Room @ HVCCA
June vii – November two, 2014
Arron Taylor Kuffner, Gamelatron Sanctuary: Suara Sinar (The Sound of Light)
March 29 – July 2014
Acting Out: Words That Connect
June 12 – September 27, 2014
Angela Washko, Playing a Daughter
December 8 – Apr 12, 2014
Hashemite kingdom of jordan Rathus, Based on, If Any andReal Piece of work/ The Game Show
June 7 – July 28, 2013
Katrina Bello: Looping Encounter, Andrea Bianconi: Postcard People, Laleh Khorramian: Water Panics in the Sea, Camilo Rojas: Los Sordos del Rio Hudson
January 27 – May 5, 2013
The Po wer of Place
See the Chronogram commodity here
September 29, 2012 – July 28, 2013
Peekskill Projection V
Click hither to view the Peekskill Project 5 Catalog: Works and Performances in offsite venues
September 29 – December xvi, 2012
Peekskill Project Five: Virtual Valley
Epitome: Willie Wayne Smith, Familiar Tides, 2010
June 24 – July 29, 2012
Circa 1986 Redux – R.Thousand. Fisher: Current Works
A selection of the artist's exciting recent works.
Press Release
May 19 – June 17, 2012
Circa 1986 Redux – RICK PROL: A Retrospective Await
Opening Reception: Saturday, May 19th, 5-7pm
Press Release
September eighteen, 2011 – July 22, 2012
Circa 1986
Opening reception: Lord's day, September 18, 2011, 4-7 pm.
Printing Release
Prototype: Joel Otterson, Meaty Disc Stereo and Love Seats (Hot Wheels), 1988
May 22 – July 24, 2011
Commencement Wait III
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January 9 – April 17, 2011
Daniel Pitin: Garrison Landing
After The Fall
Sept. 19, 2010 – July 24, 2011
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Image: Zsolt Bodoni, Tito's Cadillac, 2010, acrylicand oil on canvas, 210-195 cm
Leonardo Silaghi
September 19 – Dec 19, 2010
In.flec.tion
February 28 – July 26, 2010
a turning away from a position
a manner of expressing oneself
Showing xiii artists who have nothing in common, except that they meet monthly to critique each other's work. These discussions are open, incisive, tough, fair, generous, and tremendously helpful.
Purchase Catalog
Double Dutch
September 12, 2009 – July 26, 2010
Purchase Itemize
Fendry Ekel: Art and Architecture: A Fashion of Seeing the Globe
Opened September 12, 2009
Karen Sargsyan, Abroad Understanding
Feb 8 – May 24, 2009
Origins
September 13, 2008 – July 26, 2009
Purchase Itemize
Grimanesa Amorós: Rootless Algas
September 13, 2008 – Jan 18, 2009
Richard Dupont: Between Stations
September 13, 2008 – Jan 18, 2009
Peekskill Project 2008
September thirteen – November 23, 2008
Chris Jones
May 18 – September 14, 2008
Size Matters: XXL – Recent Large-Scale Paintings
September 16, 2007 – July 27, 2008
The 2nd of a two-part exhibition investigating scale in contemporary painting, featuring awe-inspiring paintings by a diverse group of international artists.
Size Matters: XS – Recent Small-Scale Paintings
June 9, 2007 – Feb 10, 2008
Maider Bilbao, Fauna Spirit
September sixteen – Dec 16, 2007
Get-go Await II
February – May 2007
Only the Paranoid Survive
September 2006 – Jan 2007
Curated by Daniel Fuller
Featuring Work From: Darren Almond, Marc Bijl, Nigel Cooke, Sean Dack, and others.
Reverence
May xx, 2006 – July 29, 2007
Peekskill Projection 2006
September – October vii, 2006
Nostalgia
May – September 2006
Figure It Out
March – April 2006
A comprehensive survey of the best figurative sculpture and video today features 29 artists from 17 countries: Marina Abramovic, Berlinde DeBruykere, Tom Friedman, Cherry Grooms, Damien Hirst, Yayoi Kusama, Marker Manders, Paul McCarthy, Juan Munoz, Shirin Neshat, Nam June Paik, Evan Penny, Patricia Piccinini, Rona Pondick, Kiki Smith and emerging artists – Folkert de Jong and Will Ryman.
Starting time Wait
March – September 2005
First Look takes a snapshot of work coming out of MFA programs at a moment when in that location is a burgeoning number of graduate art programs and increased enrollment.
Repetition
June 2004 – Feb 2005
Repetition uniquely focuses on art which repeats an image, sound, and/or sculptural object.
Paul Clay, When We Came
June 2004 – Apr 2005
When We Came tells the story of Peekskill from the dawn of human beings.
Symbolic Space
June 2004 – April 2005
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Source: http://www.hvcca.org/past-exhibitions/
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